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Birds In the Storm


Download links and information about Birds In the Storm by AaRON. This album was released in 2010 and it belongs to Rock, Indie Rock, Pop, Alternative genres. It contains 15 tracks with total duration of 55:54 minutes.

Artist: AaRON
Release date: 2010
Genre: Rock, Indie Rock, Pop, Alternative
Tracks: 15
Duration: 55:54
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No. Title Length
1. Ludlow L 4:05
2. Rise 3:21
3. Seeds of Gold 3:18
4. Waiting for the Wind to Come 2:32
5. Inner Streets 3:42
6. Song for Ever 3:55
7. Arm Your Eyes 4:08
8. Birds In the Storm 3:57
9. The Lame Souls 3:37
10. A Thousand Wars 3:44
11. Passengers 4:42
12. Embers 4:26
13. Inner Streets (3rd Street) [Bonus Track] 3:08
14. Rise (Clip) 3:19
15. Inner Streets (Live au Trianon) 4:00



OK, so their full name is pompous ("Artificial Animals Riding on Neverland") and they aren't exactly original, but AaRON still do a lot to uphold the honor of La Belle France in the face of Anglo-Saxon indie rock. Birds in the Storm plays by the rules, down to the English lyrics, but what really matters is that it is a clever, moody, and enjoyable piece of work. The duo of Simon Buret and Olivier Coursier runs the gamut of associations here, from the upbeat Brit-pop of "Seeds of Gold" to "A Thousand Wars," which sounds like a more dejected version of "Street Spirit," especially thanks to the Thom Yorke imitation in the vocals. Many other bands can be name-checked in between: AaRON mostly stick to an ascetic guitar-based setup — sometimes just a guitar and nothing else — and it's hard to navigate those waters and come across as entirely unique. Electronica undercurrents in the Air/Moby vein do help, though, and anyway, the main thing about Birds in the Storm is not innovation, but the flawlessly crafted, deceptively engulfing atmosphere, which, after a couple of sunnier numbers, begins to justify the title, skillfully mixing fragility and nervous tension. Maybe Birds After the Storm would have been a still more fitting description, too, as the album is definitely on the quiet side, filled with sparse and bleak-but-comforting numbers that feel like the aftermath of a disaster that wasn't described on the record. In fact, they aren't far from Joy Division there, only by way of Mount Eerie, with jangly, laconic post-punk guitars mixed with indie folk restraint — but, again, those are imperfect analogies: AaRON's influences are no secret, but they do get all credits for the ambience.