Download links and information about Spanish Harlem by Ben E. King. This album was released in 1961 and it belongs to Hip Hop/R&B, Soul, Blues, Rock, Pop genres. It contains 12 tracks with total duration of 31:13 minutes.
|Artist:||Ben E. King|
|Genre:||Hip Hop/R&B, Soul, Blues, Rock, Pop|
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|3.||Come Closer to Me||2:35|
|6.||Sweet and Gentle||2:25|
|7.||Perhaps, Perhaps, Perhaps||2:12|
|9.||Souvenir of Mexico||2:25|
|11.||Love Me, Love Me||2:37|
A close look at this album reveals just how ambitious Atlantic Records could be in the early 1960s, in generating LPs. Technically speaking, Ben E. King's debut long-player is a concept album — or, at least, a thematic album. Put together in the wake of his first solo hit, "Spanish Harlem," a Latin flavor and beat run all the way through this 12-song platter, which, at times, is really more of a pop record than a soul record. The dense, busy string section that characterized most of King's work of this era is present, and a lot of his singing may recall more the work of Sammy Davis, Jr. than that of any R&B artist one might think of from this period. And apart from the Jerry Leiber/Phil Spector co-authored title hit, most of what is here dates from a decade or more (sometimes several) earlier — "Frenesi," "Besame Mucho," and "Perfidia" were standards during the big-band era, and most of the rest is of similar or even older vintage. All of which doesn't mean that it is bad — King's version of "Besame Mucho" is a very successful reinterpretation in a Latin soul vein, and "Perfidia" never sounded better than it does in his hands, even if it and a lot of the rest is a long way from what most of us define as "soul." And for better or worse, the production is first-rate within the context of King's established sound, with a phenomenal string section and a percussion section to die for.