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The Best of Bud Powell On Verve

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Download links and information about The Best of Bud Powell On Verve by Bud Powell. This album was released in 1994 and it belongs to Jazz, Bop genres. It contains 17 tracks with total duration of 57:52 minutes.

Artist: Bud Powell
Release date: 1994
Genre: Jazz, Bop
Tracks: 17
Duration: 57:52
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Tracks

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No. Title Length
1. Lady Bird (Master Take) 4:45
2. Dance of the Infidels 2:19
3. So Sorry, Please 3:17
4. Sweet Georgia Brown 2:50
5. Willow Grove (Willow Groove) [Complete Take] 4:25
6. Tempus Fugue-It (Tempus Fugit) 2:28
7. It Never Entered My Mind 2:59
8. Bean and the Boys 3:40
9. Celia 3:00
10. Tea for Two 3:48
11. Star Eyes (False Start and Breakdown) 3:31
12. April in Paris 3:10
13. Tenderly (Warm Up and False Start) 3:18
14. All God's Chillun Got Rhythm 3:02
15. Stairway to the Stars (Master Take) 5:00
16. Just One of Those Things 3:52
17. Parisian Thoroughfare 2:28

Details

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When approaching the work of pioneering bebop pianist Bud Powell, the most vexing question is where to start. In 1994, the year that would have been Powell's 70th had he not died tragically at the age of 42, Verve released a five-disc retrospective titled The Complete Bud Powell on Verve. That box set provides a great starting place for anyone with deep pockets, but for everyone else Verve also released this handy one-disc distillation. It won't be anywhere near enough for Powell fans or, really, for anyone who loves jazz piano, but it is a good place to begin. Most of the signature tunes are here — the sprightly "Dance of the Infidels," the kitschily Oriental "So Sorry Please," the potboiler ballads "April in Paris" and "Tenderly," the astonishingly Bach-like "Tempus Fugue-It." Everywhere Powell's otherworldly grace and confidence are in evidence; while he made ample use of the jagged harmonic gestures and lightning speed that typified bebop playing, his compositions never sounded anything other than logical and his playing never sounded frantic or rushed. Of all the pianists of the period, Powell is the one who came closest to rivaling Charlie Parker in his ability to condense and exemplify the bebop movement. Highly recommended.