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Blues

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Download links and information about Blues by Chuck Berry. This album was released in 2003 and it belongs to Blues, Rock, Blues Rock, Rock & Roll genres. It contains 16 tracks with total duration of 39:06 minutes.

Artist: Chuck Berry
Release date: 2003
Genre: Blues, Rock, Blues Rock, Rock & Roll
Tracks: 16
Duration: 39:06
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Tracks

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No. Title Length
1. House of Blue Lights 2:26
2. Wee Wee Hours (1955 Single Version) 3:02
3. Deep Feeling (Single Version) 2:18
4. I Just Want to Make Love to You 2:12
5. How You've Changed 2:46
6. Down the Road a Piece 2:14
7. Worried Life Blues 2:10
8. Confessin' the Blues 2:08
9. Still Got the Blues 2:05
10. Driftin' Blues 2:18
11. Run Around 2:31
12. Route 66 2:45
13. Sweet Sixteen 2:46
14. All Aboard 2:07
15. The Things I Used to Do (Single Version) 2:42
16. St. Louis Blues 2:36

Details

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Chuck Berry grew up on the blues, taking Muddy Waters as a particular hero, so when he signed with Chess Records in the mid-'50s, the label undoubtedly figured they were getting a blues artist. Which Berry was, but his bright, skittering guitar style and penchant for writing songs with lyrics that set aside blues clich├ęs for something closer to beat poetry meant Berry's forward-looking version of the blues became something else altogether, creating the very template for rock & roll. It also brought a younger teenaged audience into the game, and Berry increasingly aimed for it. But before that groundbreaking shift in style and demographic, Berry turned out some interesting straight blues sides for Chess, several of which are collected here, and it's intriguing to wonder what might have happened had Berry stuck with the blues rather than redefining it into rock & roll. Highlights include the powerful "Wee Wee Hours," a chugging version of Don Raye's "Down the Road a Piece," a try at Guitar Slim's "Things I Used to Do," the hybrid "Driftin' Blues," which features a near doo wop backup chorus, and a revved up and rocking rendition of W.C. Handy's "St. Louis Blues." Berry's guitar work is revealing on these early numbers, his tone always bright and fresh, as if he was a colt who just couldn't wait to get out there and run. And run he did.