Genuine Rhythm & the Blues
Download links and information about Genuine Rhythm & the Blues by Delbert McClinton. This album was released in 2000 and it belongs to Blues, Rock, Blues Rock, Country genres. It contains 14 tracks with total duration of 45:09 minutes.
|Genre:||Blues, Rock, Blues Rock, Country|
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|1.||Lipstick, Powder and Paint||2:24|
|3.||Pledging My Love||2:51|
|4.||Before You Accuse Me (Take a Look at Yourself)||3:07|
|6.||In the Jailhouse Now||3:33|
|7.||Let Love Come Between Us||2:52|
|8.||Turn On Your Love Light||3:57|
|10.||Just a Little Bit||3:04|
|12.||I'm Talking About You||2:54|
|14.||A Mess of Blues||4:20|
Far from a comprehensive overview of Delbert McClinton's four decade career, this is an enjoyable yet relatively brief disc focusing entirely on covers of classic R&B material. Compiled from the rugged Texas singer's four early solo albums recorded from 1974 through 1979, it shines a light onto McClinton's varied influences as well as being a consistently enjoyable listen.
A cursory scan of the song titles initially indicates there's not much exciting here. Many of these classics such as Bobby "Blue" Bland's "Turn on Your Lovelight," Fats Domino's "Blue Monday," and Don Covay's "Have Mercy" are well known through either their original versions or numerous renditions throughout the years. Upon closer listen though McClinton's approach to them is effortlessly soulful, and some of his arrangements- in particular transforming Willie Dixon's "Spoonful" from a wailing Chicago blues to a swampy soul stirrer- are refreshingly unique. McClinton's sand and honey inflected vocals flow easily, and his sharp band including horns, female backing vocals and tight ensemble playing, wrap themselves around the songs with loose precision.
The songs of Elvis Presley, Jimmie Rodgers, Chuck Berry, Johnny Ace, Big Joe Turner, The Clovers and Bo Diddley all become McClinton tunes as he latches onto their varied genres and transforms them into rollicking R&B. The anthology shares only one selection with the excellent Ultimate Collection, but even though it's cobbled together from albums recorded over five years, McClinton's cohesive style bonds these tracks into a surprisingly unified whole. Thoughtful and informative liner notes explain the source material, and the lack of individual personnel listings, as well as the album's relative brevity, prove to be minor shortcomings.