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Della (Remastered)


Download links and information about Della (Remastered) by DELLA REESE. This album was released in 1960 and it belongs to Hip Hop/R&B, Soul, Jazz, Vocal Jazz, Pop genres. It contains 24 tracks with total duration of 01:03:12 minutes.

Release date: 1960
Genre: Hip Hop/R&B, Soul, Jazz, Vocal Jazz, Pop
Tracks: 24
Duration: 01:03:12
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No. Title Length
1. The Lady Is a Tramp 2:36
2. If I Could Be With You One Hour Tonight 2:49
3. Let's Get Away from It All 2:28
4. Thou Swell 2:30
5. You're Driving Me Crazy 2:30
6. Goody, Goody 3:37
7. And the Angels Sing 2:44
8. Baby, Won't You Please Come Home 3:09
9. I'm Beginning to See the Light 2:27
10. I'll Get By 2:37
11. Blue Skies 1:49
12. Someday 5:17
13. The Lady Is a Tramp (Demo Version) 2:36
14. If I Could Be With You One Hour Tonight (Demo Version) 1:39
15. Let's Get Away from It All (Demo Version) 2:08
16. Thou Swell (Demo Version) 1:53
17. You're Driving Me Crazy (Demo Version) 2:45
18. Goody, Goody (Demo Version) 2:17
19. And the Angels Sing (Demo Version) 2:51
20. Baby, Won't You Please Come Home? (Demo Version) 2:45
21. I'm Beginning to See the Light (Demo Version) 1:56
22. I'll Get By (Demo Version) 1:59
23. Blue Skies (Demo Version) 2:18
24. Someday (Demo Version) 3:32



Della Reese was never a hardcore jazz singer. Her specialty was traditional pre-rock pop, and unlike jazz-oriented singers — Sarah Vaughan, Ella Fitzgerald, and Carmen McRae, among many others — she was not improvisation-minded. Therefore, her work must be judged by pop standards instead of jazz standards. Anyone who isn't a myopic jazz snob realizes that pop standards aren't necessarily low standards; in fact, traditional pop singers like Frank Sinatra, Jo Stafford, Tony Bennett, and the seminal Bing Crosby have had very high standards. And similarly, Reese brings high pop standards to Della. Recorded in 1959, this excellent album finds Reese backed by an orchestra that Neal Hefti arranged and conducted. Hefti's presence doesn't automatically make Della a jazz session, but he provides tasteful arrangements for a pop singer who has jazz, blues, and gospel influences. In 1959, Reese was very much in her prime, and she is quite soulful on performances of "Blue Skies," "Thou Swell," and other standards. The singer also tackles "The Lady Is a Tramp," one of the many gems that Sinatra defined. Reese, to her credit, doesn't even try to emulate Sinatra's version; instead, she provides a playful interpretation that is rewarding in its own right.