Create account Log in

Construction Time Again


Download links and information about Construction Time Again by Depeche Mode. This album was released in 1983 and it belongs to Electronica, Rock, New Wave, Dancefloor, Pop, Dance Pop, Alternative genres. It contains 10 tracks with total duration of 49:29 minutes.

Artist: Depeche Mode
Release date: 1983
Genre: Electronica, Rock, New Wave, Dancefloor, Pop, Dance Pop, Alternative
Tracks: 10
Duration: 49:29
Buy on iTunes $9.99
Buy on iTunes $10.99
Buy on Amazon $9.49
Buy on Amazon $45.73
Buy on Music Bazaar €1.20
Buy on Music Bazaar €1.19


No. Title Length
1. Love, In Itself 4:29
2. More Than a Party 4:45
3. Pipeline 5:54
4. Everything Counts 3:59
5. Two Minute Warning 4:13
6. Shame 3:51
7. The Landscape Is Changing 4:49
8. Told You So 4:27
9. And Then... 5:42
10. Everything Counts (Extended Version) 7:20



The full addition of Alan Wilder to Depeche Mode's lineup created a perfect troika that would last another 11 years, as the combination of Martin Gore's songwriting, Wilder's arranging, and David Gahan's singing and live star power resulted in an ever more compelling series of albums and singles. Construction Time Again, the new lineup's first full effort, is a bit hit and miss nonetheless, but when it does hit, it does so perfectly. Right from the album's first song, "Love in Itself," something is clearly up; Depeche never sounded quite so thick with its sound before, with synths arranged into a mini-orchestra/horn section and real piano and acoustic guitar spliced in at strategic points. Two tracks later, "Pipeline" offers the first clear hint of an increasing industrial influence (the bandmembers were early fans of Einstürzende Neubauten), with clattering metal samples and oddly chain gang-like lyrics and vocals. The album's clear highlight has to be "Everything Counts," a live staple for years, combining a deceptively simple, ironic lyric about the music business with a perfectly catchy but unusually arranged blending of more metallic scraping samples and melodica amid even more forceful funk/hip-hop beats. Elsewhere, on "Shame" and "Told You So," Gore's lyrics start taking on more of the obsessive personal relationship studies that would soon dominate his writing. Wilder's own songwriting contributions are fine musically, but lyrically, "preachy" puts it mildly, especially the environment-friendly "The Landscape Is Changing."