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Cabaret Mañana / Cabaret Manana

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Download links and information about Cabaret Mañana / Cabaret Manana by Esquivel. This album was released in 1995 and it belongs to Dancefloor, Dance Pop, Lounge genres. It contains 20 tracks with total duration of 48:27 minutes.

Artist: Esquivel
Release date: 1995
Genre: Dancefloor, Dance Pop, Lounge
Tracks: 20
Duration: 48:27
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Tracks

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No. Title Length
1. Mini Skirt (featuring Esquivel And His Orchestra) 2:30
2. Johnson Rag (featuring Esquivel And His Orchestra) 2:12
3. Night and Day (featuring Esquivel And His Orchestra) 2:37
4. El Cable (featuring Juan Garcia Esquivel) 2:16
5. Harlem Nocturne (featuring Esquivel And His Orchestra) 2:29
6. Mucha Muchacha (featuring Juan Garcia Esquivel) 2:18
7. Time On My Hands (featuring Esquivel And His Orchestra) 2:29
8. Malagueña (featuring Esquivel And His Orchestra) 3:13
9. Guanacoa (featuring Esquivel And His Orchestra) 2:33
10. Sentimental Journey (featuring Esquivel And His Orchestra) 2:40
11. Estrellita (featuring Juan Garcia Esquivel) 2:30
12. Limehouse Blues (featuring Esquivel And His Orchestra) 2:19
13. Todavía (featuring Juan Garcia Esquivel) 1:57
14. April In Portugal (featuring Esquivel And His Orchestra) 2:17
15. Take the "A" Train (featuring Esquivel And His Orchestra) 2:28
16. Question Mark (Que Vas a Hacer) (featuring Esquivel And His Orchestra) 2:10
17. It Had to Be You (featuring Esquivel And His Orchestra) 3:16
18. Yeyo (featuring Esquivel And His Orchestra) 1:58
19. Lullaby of Birdland (featuring Esquivel And His Orchestra) 2:09
20. Flower Girl from Bordeaux (featuring The Voices, Piano) 2:06

Details

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Esquivel's output is pretty diverse, yet it's hard to rate one compilation against another. They're of such a similar qualitative standard that none can be singled out as definitive, or even recommended above the others. Cabaret Mañana is as good as any a place to start (and no worse or better than the compilations on Bar/None). The 20 tracks are drawn from RCA releases spanning 1958 to 1967, including both original compositions and oddball versions of standards like "Harlem Nocturne," "Night and Day," "Malaguena," and "Take the 'A' Train." Whether this rings your chimes or not, it's certainly different, unpredictable, and full of idiosyncratic touches like whistlers, berserk organ solos, choruses of "zu-zu" vocals, Bugs Bunny cartoon slide guitar, and sassy horn sections that blow with an energy more savage than anything else you'll hear on "easy" listening recordings.