Departure and Farewell
Download links and information about Departure and Farewell by Hem. This album was released in 2013 and it belongs to Rock, Alternative, Songwriter/Lyricist, Contemporary Folk genres. It contains 13 tracks with total duration of 37:17 minutes.
|Genre:||Rock, Alternative, Songwriter/Lyricist, Contemporary Folk|
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|1.||Departure and Farewell||3:25|
|2.||Walking Past the Graveyard, Not Breathing||2:51|
|3.||Things Are Not Perfect in Our Yard||2:21|
|5.||The Jack Pine||3:11|
|8.||Gently Down the Stream||3:28|
|11.||The Tides At the Narrows||2:28|
Departure & Farewell is the first album by Hem in nearly seven years. They entered the studio in 2007 to record a proper follow-up to Funnel Cloud, and almost didn't get out. According to an interview with chief songwriter Dan Messe, the initial sessions were supposed to be for a final release, and broke down during a tumultuous period for the band internally. Certain relationships were strained to the breaking point and a period of separation was necessary. Thankfully, time, willingness, forgiveness, and respect heal wounds. Departure & Farewell is vital, ambitious; Hem sound renewed (they aren't breaking up). Many, including the opening title track, "Walking Past the Graveyard, Not Breathing," "Traveler's Song," and others make use of a large chamber orchestra (usually in parts) with winds, brass, and strings. Particularly effective are "Gently Down the Stream," with its woven electric and acoustic guitars and swooping strings, and the interplay of piano, harp, clarinet, guitars, and strings on "Tourniquet." Other cuts are much more sparse. The moving, hymn-like "The Seed" features the band with violinist Charles Burnham, while the gorgeous country-tinged "The Jack Pine" adds Bob Hoffnar's pedal steel. Sally Ellyson's signature warm, lullaby style is present in the silvery sweetness of "Seven Angels" and the shimmering "Bird Song," where glockenspiel, strings, percussion, and acoustic guitars offer an otherworldly waltz for her to carry the listener to another place. "Last Call" is an epilogue to drinking songs on earlier recordings such as "When I Was Drinking," "Lucky," and "Pacific Street." One of the two homemade choirs guests to underscore its late-night barroom feel. Another of these sends the record off on the bittersweet "So Long," a country gospel goodbye steeped in the notion of love without regret, leaving the possibility of return. No matter how expansive the arrangements, the production by Messe and guitarist Gary Maurer leaves plenty of room for space; they also — wisely — make Ellyson's voice the unwavering anchor in each song, its place of solace and comfort. Therefore, Hem's trademark sense of intimacy and elegant directness is never sacrificed. Departure & Farewell abundantly testifies to the band's creative vitality. Not only are these songs equal to anything they've presented before — no mean feat for a record so long in the making — their poetry and melodies deliver grace and tenderness more abundantly for having been tested by fire. Track for track, this was well worth waiting for.