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Download links and information about Legacy by Hiroshima. This album was released in 2009 and it belongs to Jazz, Contemporary Jazz, Crossover Jazz genres. It contains 11 tracks with total duration of 01:06:56 minutes.

Artist: Hiroshima
Release date: 2009
Genre: Jazz, Contemporary Jazz, Crossover Jazz
Tracks: 11
Duration: 01:06:56
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No. Title Length
1. Winds of Change 7:11
2. Turning Point 6:20
3. One Wish 4:50
4. Dada 6:31
5. I've Been Here Before 5:33
6. East 6:39
7. Roomful of Mirrors 3:59
8. Another Place 9:36
9. Save Yourself for Me 5:42
10. Hawaiian Electric 6:30
11. Thousand Cranes 4:05



For over 30 years, Hiroshima have established a singularly unique musical footprint in contemporary ethnic jazz fusion. Combining funky beats with synthesizers and their native Japanese instruments the koto, and taiko drums, the group has become quite popular worldwide even though their name is a reminder of a sorry incident in history. This collection is one of several the group have planned to celebrate their three decades together, in this instance remaking music from their first ten years via a fresh perspective. As co-leaders, multi-instrumentalist Dan Kuramoto and koto player June Kuramoto continue to give the ensemble their multicultural core values while retaining the rich traditions of the Asian homeland with current-day American backbeat rhythms. At their heaviest, "Dada" sports a rock-type guitar, while "I've Been Here Before" is lighter and more soulful. "East" has an interactive quality due to its minimalism via a marimba synthesizer and the acoustic piano playing of Kimo Cornwell, "Hawaiian Electric" is the best jam and very upbeat, and the taiko drums played by Shoji Kameda during "Another Place" contrast with the funk beat, and comes together with the shakuhachi flute of Dan Kuramoto. Terry Steele sings on the blatant ooh-yeah pop tune "Save Yourself for Me," and a Philly soul element is used for the slow ballad "Roomful of Mirrors". This music tends to be a bit grandiose as "Winds of Change" demonstrates, but there's enough diversity with the soprano, tenor sax, or flute of Dan Kuramoto, and the absolutely lovely koto work of June Kuramoto, including a fair amount of improvising, to make this music relatively interesting. Fans of Hiroshima will want this collection to hear how these pieces have evolved from their initial recordings, and newcomers can be equally pleased. ~ Michael G. Nastos, Rovi