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Non-Stop (Original Motion Picture Soundtrack)

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Download links and information about Non-Stop (Original Motion Picture Soundtrack) by John Ottman. This album was released in 2014 and it belongs to Theatre/Soundtrack genres. It contains 21 tracks with total duration of 53:11 minutes.

Artist: John Ottman
Release date: 2014
Genre: Theatre/Soundtrack
Tracks: 21
Duration: 53:11
Buy on iTunes $11.99
Buy on iTunes $11.99

Tracks

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No. Title Length
1. Non-Stop (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:13
2. Damaged Goods (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:43
3. Usual Suspects (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:20
4. Welcome To Aqualantic (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:04
5. First Text (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:16
6. Random Search (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:41
7. Do Something For Me (featuring Slovak National Symphony Orchestra, Allan Wilson) 2:43
8. Circling Passengers (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:12
9. Interrogations (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:24
10. What Happened To Amsterdam? (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:46
11. Death Number 1 (featuring Slovak National Symphony Orchestra, Allan Wilson) 2:08
12. Reluctant Passenger / Blue Ribbon (featuring Slovak National Symphony Orchestra, Allan Wilson) 2:09
13. F*** It (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:43
14. Explosions Protocol (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:56
15. Ambush (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:40
16. Message Received (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:21
17. Bathroom Discovery (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:49
18. 8000 Feet (featuring Slovak National Symphony Orchestra, Allan Wilson) 2:11
19. Unloaded Weapon (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:31
20. Crash Landing (featuring Slovak National Symphony Orchestra, Allan Wilson) 1:27
21. Epilogue (featuring Slovak National Symphony Orchestra, Allan Wilson) 3:54

Details

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John Ottman’s unusual double career as film composer and film editor can get complicated if two productions overlap. Ottman’s editorial work on X-Men: Days of Future Past impinged on his scoring work for this hit airborne thriller by Catalan director Jaume Collet-Serra (who also used the composer on House of Wax, Orphan and Unknown). So Ottman turned to Edwin Wendler (a young Austrian-born composer, arranger, technician, and former Vienna Choir Boy) to develop his musical framework. To make their work seamless, Wendler says, “John developed the principal themes and sound palette in the initial stages. It was my job then to adapt and develop that musical vocabulary while following John’s directions and addressing his detailed notes.” Edwin says Ottman “made it very clear from the beginning that any action-music clichés were to be avoided ... This meant some programming and manipulation of sounds. Electronics play an important part, although many orchestral elements were recorded for this score