The Spectacular Johnny Horton
Download links and information about The Spectacular Johnny Horton by Johnny Horton. This album was released in 1960 and it belongs to Country, Pop genres. It contains 15 tracks with total duration of 36:20 minutes.
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|1.||The Battle of New Orleans||2:30|
|3.||The First Train Headin' South||2:18|
|5.||Joe's Been a-Gittin' There||2:38|
|7.||When It's Springtime In Alaska (It's Forty Below)||2:34|
|9.||All for the Love of a Girl||2:44|
|10.||The Golden Rocket||2:06|
|12.||Got the Bull By the Horns||2:09|
|14.||All Grown Up||1:53|
|15.||The Battle of New Orleans (special version cut for England)||2:27|
Horton's brief flurry of country-pop mega-stardom coincided with some of his less interesting music, as this 1960 album proves. Corny Americana became his meal ticket after "The Battle of New Orleans" (which leads off the disc), and more of the same follows on the gold-prospecting tales "Sam Magee" and "When It's Springtime in Alaska." Those songs are country-pop with a banjo for a whiff of (not quite genuine) authenticity. On several of the other tracks, he didn't bother with the banjo, leaving average or below-average country-pop balladry to remain. Yet he hadn't forgotten how to play and sing gutsy rockabilly cum honky tonk, as shown on the album's best cuts. His self-penned "The First Rain Headin' South" is certainly the best of the crop; the cover of "Cherokee Boogie," like Warren Smith's "Ubangi Stomp," flirts with imagery that will strike many as un-PC these days; and "Got the Bull by the Horns" and the cover of Hank Snow's "The Rocket" are respectable up-tempo numbers. Half a good album, then, and Horton wouldn't have a chance to resolve his conflicting directions, dying in the same year as the LP's release. The 2000 CD reissue adds three bonus tracks: the lame 1958 ballad "Counterfeit Love," the mild 1958 rockabilly number "All Grown Up," and a bizarre version of "The Battle of New Orleans" cut especially for the English market, in which the rebels flee from the British instead of vice versa.