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Classics In the Key of G

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Download links and information about Classics In the Key of G by Kenny G. This album was released in 1999 and it belongs to Jazz, Crossover Jazz, Rock, Pop, Smooth Jazz genres. It contains 11 tracks with total duration of 55:11 minutes.

Artist: Kenny G
Release date: 1999
Genre: Jazz, Crossover Jazz, Rock, Pop, Smooth Jazz
Tracks: 11
Duration: 55:11
Buy on iTunes $6.99
Buy on Amazon $9.99
Buy on Amazon $13.99

Tracks

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No. Title Length
1. Summertime (feat. George Benson) 6:44
2. The Look of Love 5:31
3. What a Wonderful World (With Kenny G) (featuring Louis Armstrong) 3:02
4. Desafinado 5:50
5. In a Sentimental Mood 4:57
6. The Girl from Ipanema (feat. Bebel Gilberto) 4:05
7. Stranger On the Shore 3:07
8. Body and Soul 7:19
9. Round Midnight 6:27
10. Over the Rainbow 3:05
11. The Girl from Ipanema (Instrumental) 5:04

Details

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Some jazz critics may point to Classics in the Key of G as proof of Kenny G's lack of jazz substance, but it really is proof of how well he makes instrumental pop albums. Yes, Kenny G has reworked a predictable set of pop classics, from "Summertime" to "The Look of Love," to fit his signature smooth sound, but that should be expected from an album like this. Kenny G will never abandon his signature sound because that sound is him; he doesn't want to push musical boundaries, he just wants to make gentle, melodic music. If he's seen as a pop musician, not a jazz saxophonist, his virtues become evident. Unlike some of his peers, there's genuine warmth in his tone, and he never diverts his attention from the melody; he crafts records around songs, not improvisations. Simply containing ten songs everybody knows, Classics in the Key of G is a pleasant, unassuming listen (with the exception of "What a Wonderful World," which contains a jarring original vocal from Louis Armstrong). As a matter of fact, it may be one of his better records, simply because he's working with ten terrific songs, and his performances show real affection for the music. He sticks to the original songs, only updating the production or throwing some minor glissandos into the melodies. His solos are extensions of the original themes — at times, it's hard to tell when he's slipping into a solo since it's so smooth — and it all comes together as nice, pleasant music. That may mean that Classics in the Key of G may occasionally fade into the background, but like any good instrumental pop album, it's sweet to the ears whether it's in the foreground or sonic wallpaper.