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Original Cool Jamaican Ska / After Sunset (Re-mastered,Collection)

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Download links and information about Original Cool Jamaican Ska / After Sunset (Re-mastered,Collection) by Laurel Aitken. This album was released in 2009 and it belongs to Reggae, Roots Reggae, World Music, Ska, Alternative genres. It contains 29 tracks with total duration of 01:16:31 minutes.

Artist: Laurel Aitken
Release date: 2009
Genre: Reggae, Roots Reggae, World Music, Ska, Alternative
Tracks: 29
Duration: 01:16:31
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Fire 2:45
2. Freedom Train 2:45
3. Peace Perfect 2:29
4. Bad Minded Woman 2:45
5. Devil or Angel 2:42
6. You Are My Sunshine 2:35
7. Hometown 2:28
8. Life 2:37
9. Adam and Eve 2:30
10. Mary 2:29
11. I Shall Remove 3:06
12. We Got to Move 2:34
13. What a Weeping 2:32
14. Zion City Wall 2:35
15. One More River to Cross 2:30
16. Lion of Judah 2:35
17. Remember My Darling 3:11
18. The Saint 2:33
19. Go Gal Go 2:39
20. Rock of Ages 2:17
21. You Left Me Standing 4:05
22. Bag a Boo 2:33
23. Jericho 1:57
24. Yes Indeed 2:11
25. Let My People Go 3:01
26. Bachelor Life 1:47
27. You Was Up 2:21
28. Don't Stay Out Late 2:50
29. Be Mine 3:09

Details

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Something to clarify right off the bat: although Laurel Aitken was responsible for the majority of the 15 tracks issued on the 1964 LP titled Original Cool Jamaican Ska (also known as After Sunset), this 2009 CD does not have the same contents. In this case, that's a good thing, as this 29-track disc has — in addition to all nine Aitken songs that appeared on the original Original Cool Jamaican Ska — no less than 20 bonus cuts from the same era, most taken from the 1963-1964 singles listed in the booklet's discography. So it serves as a bountiful survey of the period in which Aitken was establishing himself as a major ska artist, though he'd already recorded quite a bit of material before 1963. The Skatalites back Aitken on many of these sides, most of which were written by the singer. While much of them are merry rhythmic odes to romance and good times, there are also hints of the declarations of independence and spirituality that would inform much later reggae music, especially in "Freedom Train," "Zion City Wall," "Let My People Go," and "One More River to Cross." Aitken might not have been the greatest of ska singers, and his songwriting not the most diverse that the style's major talents had to offer. But he was among the most consistent of the genre's figureheads, and occasionally he did depart from an approach that could verge on the formulaic, getting into more soul-oriented balladry on "You Left Me Standing" and particularly rousing group vocal interplay on "Jericho." The liner notes aren't perfect, but give a great deal more detail about the material than many a reggae reissue, including a discography of his Island/Rio/Columbia/R&B/Decca recordings in 1963 and 1964.