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Liz Carroll


Download links and information about Liz Carroll by Liz Carroll. This album was released in 1988 and it belongs to World Music, Celtic genres. It contains 15 tracks with total duration of 40:12 minutes.

Artist: Liz Carroll
Release date: 1988
Genre: World Music, Celtic
Tracks: 15
Duration: 40:12
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No. Title Length
1. Reel Beatrice / The Abby Reel 2:34
2. Out On the Road / Princess Nancy 2:04
3. For Eugene / Gravity Hill 3:14
4. Clarke's Favorite / Pigeon On the Gate 2:12
5. Tune for Mairead & Anna Ni Mhaonaigh 3:29
6. Two Polkas: Sock In the Hole / The Hole In the Sock 1:44
7. Mrs. Carroll's Strathspey / Chapter 16 2:59
8. Helicopters / Crossing the Delaware 2:30
9. The Sister's Reel / Wynding the Hay 3:28
10. Lacey's Sig / A Tune for Charles / The Geese In the Bog 2:24
11. The Par Cark / Baiting the Hook / The Jumping White Nut Eater 2:48
12. Greenleaf Strathspey / The Setting Sun 2:39
13. Two Slip Jigs: The Wee Dollop / The Houseboat 3:17
14. G-Reel /Merle's Tune 2:39
15. The Western Reel / The Road to Recovery 2:11



Liz Carroll is a noted fiddler in the Irish tradition who has taken the instrument and music in exciting new directions with her virtuosic playing. Here, Carroll is not only an interpreter, but a composer, writing 11 of the album's 15 songs herself. Accompanied sparely by the talented guitar of Daithi Sproule, Carroll runs through an energetic set with enough fabulous fiddle runs and turns toward emotion to keep any fan of the instrument thoroughly enthused. Just when the lament "Tune for Mairéd & Anna Ní Mhaonaigh" starts becoming too sad, it gives way to the scrappy "Sock in the Hole/Hole in the Sock," where hundreds of little high notes act like happy needles in your neck. Elsewhere, a series of reels is made consistently interesting by Carroll's unique style, which seems to drop odd notes into the gaps between bars and measures. Best might be "Clarke's Favorite/Pigeon on the Gate," which plays urgent high parts off of dark-toned bottom notes for a truly wild ride. Liz Carroll's good for listening, better for dancing, and great for Irish and traditional music in general, since it proves Carroll to be as adept a songwriter as she is a player and only suggests what tantalizing places she'll take the music next.