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The Very Best of Manu Dibango: Afro Soul Jazz from the Original Makossa Man


Download links and information about The Very Best of Manu Dibango: Afro Soul Jazz from the Original Makossa Man by Manu Dibango. This album was released in 2000 and it belongs to Jazz, World Music, Pop genres. It contains 11 tracks with total duration of 01:09:21 minutes.

Artist: Manu Dibango
Release date: 2000
Genre: Jazz, World Music, Pop
Tracks: 11
Duration: 01:09:21
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No. Title Length
1. Soul Makossa 4:26
2. Ekedi 2:47
3. Africadelic 2:15
4. Sun Explosion 9:11
5. A Freak Sans Fric 8:37
6. Oh Koh 10:09
7. Poinciana 4:25
8. Abele Dance 6:53
9. Electric Africa 10:25
10. Africa Boogie 4:16
11. Big Blow 5:57



The dates of only a few of these 11 songs are given in the liner notes. It's certain that the 69 minutes of music spans the early '70s to the mid-'80s at the least, but beyond that, the chronology isn't laid out, leaving neophytes to wonder how much of his career this best-of surveys. Leaving that consideration aside, it's a reasonable representation of this important African musician's style, kicking off with his most famous song, "Soul Makossa" — the first Afrobeat song to become an international smash (making the U.S. Top Forty in 1973), and one that was also important in launching disco as a popular style. "Ekedi" and "Africadelic" sound like they also date from around the early '70s, and are invigorating mixes of jazz, soul, and African music — the mixture, of course, that helped launch African contemporary music into the global consciousness. Later outings from the late '70s have more of a disco flavor and are inferior to those earlier productions, though the bubbly African rhythms and synergy between different styles is still present. For "Electric Africa" in the mid-'80s, he collaborated with Herbie Hancock and Bill Laswell, which might have given him some cred with certain audiences, but the song has a stiff electro-funk feel that's dated. Although this anthology illustrates the importance of Dibango's contributions, one wishes there was a more in-depth scoop of early progressive work along the lines of "Africadelic," the best track here.