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Early Hour Blues


Download links and information about Early Hour Blues by Pee Wee Crayton. This album was released in 1999 and it belongs to Blues genres. It contains 11 tracks with total duration of 45:00 minutes.

Artist: Pee Wee Crayton
Release date: 1999
Genre: Blues
Tracks: 11
Duration: 45:00
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No. Title Length
1. Blues at Daybreak 3:00
2. Early Hours 4:31
3. Barefootin' 2:35
4. Blues After Hours 5:23
5. You Know Yeah 4:05
6. E.T. Blues 4:21
7. When I'm Wrong 7:49
8. Send for Me 4:30
9. Red Rose Boogie 2:30
10. Come On Baby 4:23
11. Head'n Home 1:53



A West Coast blues guitar hero, Crayton died shortly after these sessions, done primarily with Rod and Honey Piazza's band, or with jazz pianist Llew Matthews' quartet. The two dates show Crayton could do it all. Jump blues, hard or straight blues, and boogie were all easily played. It's that unmistakable T-Bone Walker influence, a stinging, swinging single line or chunky, chortling chord progressions that made Crayton stand out among the crowded blues guitar landscape. He was a one-of-a kind player, and this CD is not only his final testament, but a solid exclamation point on the career of a true American music legend. Crayton also proved to be a pretty good singer. His soulful rendering of the hit "Send for Me" is sincere and believable. "Barefootin'" might be a throwaway, but he really sends up the B.B. King evergreen "When I'm Wrong." Steaming instrumentals with big horn charts swing hard as on "You Know Yeah," Eddie Taylor's "E.T. Blues," "Red Rose Boogie," and the short horn-fired rave-up "Head'n'Home." The Piazzas and Matthews really know how to support a star, and their work is as credible as any. Additional kudos to Crayton's wife, Esther, who wrote six of these 11 cuts, and was always a major factor in his repertoire. On some of his solos, Crayton is astounding; on the rest, his guitar is merely spectacular. Though 14 years late (Crayton died in 1985) and only 45 minutes short on this CD, this is a precious document of one of originals of blues guitar, and a reminder that although he was relatively obscure, he had many fans who knew what the real deal was. For blues scholars, this is an artist, like Freddie King, Otis Rush, and T-Bone, well worth studying and relishing. ~ Michael G. Nastos, Rovi