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The Scream (Deluxe Edition)

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Download links and information about The Scream (Deluxe Edition) by Siouxsie & The Banshees. This album was released in 1978 and it belongs to Rock, Punk, Pop, Alternative genres. It contains 26 tracks with total duration of 01:31:31 minutes.

Artist: Siouxsie & The Banshees
Release date: 1978
Genre: Rock, Punk, Pop, Alternative
Tracks: 26
Duration: 01:31:31
Buy on iTunes $15.99
Buy on Music Bazaar €2.60

Tracks

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No. Title Length
1. Pure 1:51
2. Jigsaw Feeling 4:37
3. Overground 3:46
4. Carcass 3:49
5. Helter Skelter 3:46
6. Mirage 2:49
7. Metal Postcard (Mittageisen) 4:14
8. Nicotine Stain 2:57
9. Suburban Relapse 4:11
10. Switch 6:53
11. Make Up to Break Up (Riverside Session) 4:31
12. Love In a Void (John Peel 29/11/77) 2:38
13. Mirage (John Peel 29/11/77) 2:39
14. Metal Postcard (John Peel 29/11/77) 3:33
15. Suburban Relapse (John Peel 29/11/77) 3:03
16. Hong Kong Garden (John Peel 6/2/78) 2:40
17. Overground (John Peel 6/2/78) 3:12
18. Carcass (John Peel 6/2/78) 3:42
19. Helter Skelter (John Peel 6/2/78) 3:28
20. Metal Postcard (Mittageisen) [Pathway Session] 4:03
21. Suburban Relapse (Pathway Session) 3:53
22. The Staircase (Mystery) [Pathway Session] 3:06
23. Mirage (Pathway Session) 2:55
24. Nicotine Stain (Pathway Session) 3:07
25. Hong Kong Garden 2:54
26. The Staircase (Mystery) 3:14

Details

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After building up an intense live reputation and a rabid fan base, Siouxsie and the Banshees almost had to debut with a stunner — which they did, "Hong Kong Garden" taking care of things on the singles front and The Scream on the full-length. Matched with a downright creepy cover and a fair enough early producing effort from Steve Lillywhite — well before he found gated drum sounds — it's a fine balance of the early band's talents. Siouxsie Sioux herself shows the distinctive commanding voice and lyrical meditations on fractured lives and situations that would win her well-deserved attention over the years. Compared to the unfocused general subject matter of most of the band's peers, songs like "Jigsaw Feeling," "Suburban Relapse," and especially the barbed contempt of "Mirage" are perfect miniature portraits. John McKay's metallic (but not metal) guitar parts, riffs that never quite resolve into conventional melodies, and the throbbing Steven Severin/Kenny Morris rhythm section distill the Velvet Underground's early propulsion into a crisper punch with more than a hint of glam's tribal rumble. The sheer variety on the album alone is impressive — "Overground" and its slow-rising build, carefully emphasizing the space in between McKay's notes as much as the notes themselves, the death-march Teutonic stomp of "Metal Postcard," the sudden near-sunniness of the music (down to the handclaps!) toward the end of "Carcass." The cover of "Helter Skelter" makes for an unexpected nod to the past — if it's not as completely overdriven as the original, Siouxsie puts her own definite stamp on it and its sudden conclusion is a great moment of drama. It's the concluding "Switch" that fully demonstrates just how solid the band was then, with McKay's saxophone adding just enough of a droning wild card to the multi-part theatricality of the piece, Siouxsie in particularly fine voice on top of it all. [This Deluxe Edition features rare studio cuts, singles, and two John Peel sessions.]