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Proud Mary (Bonus Track Version)


Download links and information about Proud Mary (Bonus Track Version) by Solomon Burke. This album was released in 2000 and it belongs to Hip Hop/R&B, Soul, Country genres. It contains 17 tracks with total duration of 48:59 minutes.

Artist: Solomon Burke
Release date: 2000
Genre: Hip Hop/R&B, Soul, Country
Tracks: 17
Duration: 48:59
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No. Title Length
1. Proud Mary 3:22
2. These Arms of Mine 2:54
3. I'll Be Doggone 2:54
4. How Big a Fool (Can a Fool Be) 2:13
5. Don't Wait Too Long 3:09
6. That Lucky Old Sun 2:58
7. Uptight Good Woman 2:44
8. I Can't Stop (No No No) 2:25
9. Please Send Me Someone to Love 2:59
10. What Am I Living For 2:53
11. She Thinks I Still Care 3:17
12. I'm Gonna Stay Right Here 2:44
13. The Generation of Revelations 2:28
14. In the Ghetto 3:39
15. God Knows I Love You 2:48
16. The Mighty Quinn 2:59
17. Change Is Gonna Come 2:33



This is a somewhat spruced-up version of Burke's 1969 Proud Mary album, containing all of the songs from that LP, and adding seven bonus cuts from 1969-70 singles and outtakes. Burke kept pace with changing soul and rock trends fairly well on Proud Mary, which has a funkier, bluesier deep soul feel than his more famous early- and mid-1960s Atlantic material. That feel didn't come about by total accident, of course; the record was recorded at Muscle Shoals, where he could sing with the area's esteemed session musicians, rather than the uptown New York players he'd worked with at Atlantic. There's a bit of a sense of Burke following the crowd rather than blazing his own path, and the song selection is a bit unimaginative (not that this was an unusual happenstance on soul albums). Still, even those are given respectable readings, and Burke also tackles a couple of songs Dan Penn co-penned, in addition to waxing one of his own, "How Big a Fool (Can a Fool Be)," which has that thin electric sitar-guitar hybrid sound peculiar to some pop-soul discs of the era. The bonus tracks are pretty interesting, including previously unissued covers of Bob Dylan's "The Mighty Quinn" and Sam Cooke's "Change Is Gonna Come," along with some non-LP singles that showed Burke absorbing (as he had on the Proud Mary album) some contemporary rock influences. His own "The Generation of Revelations," a 1969 single, made some fashionable lyrical bows to the counterculture; an odd 1970 single matched a post-Elvis Presley cover of "In the Ghetto" with the gospel rock of "God Knows I Love You," written by the unusual songwriting team of Delaney Bramlett and "In the Ghetto" composer Mac Davis.