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Straightaways

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Download links and information about Straightaways by Son Volt. This album was released in 1997 and it belongs to Rock, Country, Alternative Country, Pop genres. It contains 10 tracks with total duration of 40:24 minutes.

Artist: Son Volt
Release date: 1997
Genre: Rock, Country, Alternative Country, Pop
Tracks: 10
Duration: 40:24
Buy on iTunes $9.90
Buy on Amazon $9.49
Buy on Music Bazaar €1.14

Tracks

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No. Title Length
1. Caryatid Easy 4:43
2. Back Into Your World 3:45
3. Picking Up the Signal 3:45
4. Left a Slide 5:10
5. Creosote 4:12
6. Cemetery Savior 3:12
7. Last Minute Shakedown 4:03
8. Been Set Free 4:33
9. No More Parades 3:19
10. Way Down Watson 3:42

Details

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Although none of the songs on Straightaways immediately jump off the grooves, as was the case with the band's brilliant debut, Trace, repeated spins reveal a strong effort nonetheless. Whereas former Uncle Tupelo partner Jeff Tweedy and his band, Wilco, used its sophomore release to explore new territory, Son Volt leader and songwriter Jay Farrar keeps his band mining the same country-folk vein that Uncle Tupelo quarried. There are plenty of threads to connect Straightaways to Trace, such as the expressive playing of multi-instrumentalist Dave Boquist on guitars, fiddle, banjo, and lap steel, and Farrar's forlorn vocal delivery, which could give even the weakest song emotional power. On Straightaways, his songs live on the same late-night backwoods rural highways that Trace inhabited, with song titles like "Creosote" and "Cemetery Savior" conjuring up dark imagery. The album contains plenty of high points: the aforementioned songs, as well as the lonesome "Back Into Your World" and "Last Minute Shakedown." And the only place it comes up short is the lyrics — unlike Trace, whose songs "Windfall" and "Tear Stained Eye" stood by themselves and provided a universal feel and emotion that was easily grasped, much of the lyrical content of Straightaways seems open-ended and fragmented, with the intensity building on the haunting instrumental arrangements and Farrar's affecting vocal phrasing.