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The Texas Chainsaw Massacre: The Beginning (Original Motion Picture Soundtrack)

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Download links and information about The Texas Chainsaw Massacre: The Beginning (Original Motion Picture Soundtrack) by Steve Jablonsky. This album was released in 2006 and it belongs to Theatre/Soundtrack genres. It contains 18 tracks with total duration of 46:07 minutes.

Artist: Steve Jablonsky
Release date: 2006
Genre: Theatre/Soundtrack
Tracks: 18
Duration: 46:07
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Tracks

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No. Title Length
1. Main Title (featuring Northwest Sinfonia) 2:58
2. Birth (featuring Northwest Sinfonia) 3:05
3. Fired (featuring Northwest Sinfonia) 1:36
4. Chainsaw (featuring Northwest Sinfonia) 1:45
5. Officer Hoyt (featuring Northwest Sinfonia) 2:40
6. Biker Chase (featuring Northwest Sinfonia) 1:44
7. Chrissie Alone (featuring Northwest Sinfonia) 1:08
8. Mama's House (featuring Northwest Sinfonia) 2:10
9. Ten Push Ups (featuring Northwest Sinfonia) 3:49
10. Attempted Rescue (featuring Northwest Sinfonia) 4:04
11. Preparing the Victims (featuring Northwest Sinfonia) 2:25
12. Chrissie Finds Eric (featuring Northwest Sinfonia) 3:16
13. Eric's Death (featuring Northwest Sinfonia) 1:02
14. Face Removal (featuring Northwest Sinfonia) 2:17
15. Dinner (featuring Northwest Sinfonia) 5:58
16. Meat Factory (featuring Northwest Sinfonia) 3:19
17. Dean's Death (featuring Northwest Sinfonia) 1:31
18. Epilogue (featuring Northwest Sinfonia) 1:20

Details

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The Texas Chainsaw Massacre: The Beginning is the kind of score it's easy to discount simply because the accompanying motion picture is so soulless and dire, but composer Steve Jablonsky delivers a potently macabre atmosphere and melodic twists far more compelling than anything the onscreen narrative musters. Beyond familiar genre elements like shrieking string arrangements, martial rhythms, and haunting choral vocals, Jablonsky builds tension via vividly etched musique concrète effects that perfectly capture the unsettling otherness of horror at its most powerful. Too often the score mistakes sheer volume and cacophony for intensity, but Jablonsky's bleak, unnerving soundscapes still boast uncommon clarity and vision.