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Wolfgang's Big Night Out

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Download links and information about Wolfgang's Big Night Out by The Brian Setzer Orchestra. This album was released in 2007 and it belongs to Jazz, Rock, Rockabilly genres. It contains 12 tracks with total duration of 44:11 minutes.

Artist: The Brian Setzer Orchestra
Release date: 2007
Genre: Jazz, Rock, Rockabilly
Tracks: 12
Duration: 44:11
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Tracks

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No. Title Length
1. Take the 5th (An Adaptation of Beethoven's "Symphony No. 5") 4:24
2. One More Night With You (An Adaptation of Grieg's "Hall of the Mountain King") 3:38
3. Wolfgang's Big Night Out (An Adaptation of Mozart's "Eine Kleine Nachtmusik") 2:49
4. Honey Man (An Adaptation of Rimsky-Korsakov's "Flight of the Bumblebee") 2:47
5. Yes We Can Can (An Adaptation of Offenbach's "The Can Can") 2:51
6. Swingin' Willie (An Adaptation of Rossini's "William Tell Overture") 4:31
7. Sabre Dance 3:00
8. For Lisa (An Adaptation of Beethoven's "Fur Elise") 3:45
9. Here Comes the Broad (An Adaptation of Wagner's "Lohengrin" and Mendelssohn's "A Midsummer Night's Dream") 3:43
10. 1812 Overdrive (An Adaptation of Tchaikovsky's "1812 Overture") 3:46
11. Some River In Europe (An Adaptation of Strauss' "Blue Danube") 4:27
12. Take a Break Guys (An Adaptation of "God Rest Ye Merrry Gentlemen") 4:30

Details

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Brian Setzer reconvenes his big band for its first non-Christmas-related set since 2000's Vavoom! Here he rearranges well-known classical themes from Beethoven, Strauss, Mozart, Tchaikovsky, and others into Vegas-ized Rat Pack-era swing. It's a fun concept that buys the guitarist time by not having to compose new material, even though these arrangements, many of them quite complex, must have taken a while to construct. Setzer's well-received jump version of The Nutcracker Suite from 2002's Boogie Woogie Christmas probably got this ball rolling as Setzer digs the crazy classical beat with a dozen peppy selections that put his impressive guitar skills to use against finger-snapping horn charts. Song titles are slang for the original works (Flight of the Bumble Bee becomes "Honey Man," Strauss' Blue Danube is reworked into "Some River in Europe," etc.), telescoping the concept of each track. Setzer shifts styles to include jazzy guitar licks for his take on 1812 Overture and, most creatively, a version of Beethoven's Fur Elise ("For Lisa") rearranged into an acoustic Django Reinhardt-styled European Gypsy hot swing number with clarinet and fiddle. Otherwise, it's a fizzy, brassy romp as Setzer dusts off and greases up some stodgy melodies, adding enthusiasm and energy to the proceedings. Some fall on the schlocky side of the bandstand, but that's also part of the charm. The James Bond reverbed guitar in "Take a Break Guys" ("God Rest Ye Merry Gentlemen") and its "Caravan" approach of pounding drums are sharp and tight, with time and style changes goosing the charts as Setzer even brings a Clapton/Cream wah-wah psychedelicized kick to the action. Despite a few clich├ęd moments, this is a rousing success that only occasionally falls victim to its own jive impulses.