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Clifford Brown and Max Roach

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Download links and information about Clifford Brown and Max Roach by Max Roach, The Clifford Brown. This album was released in 1954 and it belongs to Jazz, Bop genres. It contains 11 tracks with total duration of 01:05:43 minutes.

Artist: Max Roach, The Clifford Brown
Release date: 1954
Genre: Jazz, Bop
Tracks: 11
Duration: 01:05:43
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Tracks

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No. Title Length
1. Delilah 8:06
2. Parisian Thoroughfare 7:19
3. Daahoud 4:05
4. Joy Spring 6:50
5. Jordu (Complete Version) 7:50
6. The Blues Walk 6:47
7. What Am I Here For? 3:11
8. These Foolish Things 3:48
9. The Blues Walk (Alternate Take) (featuring The Clifford Brown-Max Roach Quintet) 6:54
10. Daahoud (Alternate Take) (featuring The Clifford Brown-Max Roach Quintet) 4:09
11. Joy Spring (Alternate Take) (featuring The Clifford Brown-Max Roach Quintet) 6:44

Details

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According to the original 1955 liner notes to Clifford Brown and Max Roach, the announcement that Clifford Brown and Max Roach had begun recording and playing together sent shock waves throughout the jazz community and predictions ran rampant about how the two might shape bop to come. The last duo to really shape the music had begun over ten years earlier, with the relationship between Bird and Diz. This recording was early fruit from a tree that would only live as long as Clifford Brown was around to water it (1956, the year of his tragic auto accident). The result is by far some of the warmest and most sincere bebop performed and committed to tape. Brown's tone is undeniably and characteristically warm, and he keeps the heat on alongside Roach's lilting vamps and pummeling solos. What really keeps this record on the orange side of things (other than the decidedly orange cover) is the solo work of saxophonist Harold Land, who plays part Bird and part Benny Goodman. His tone is as delightful as it gets on the sultry "Deliah" and as bop-expressive as it gets on "The Blues Walk" and "Parisian Thoroughfare," where he and Brownie go head to head blowing expressive runs of sheer New York-style jazz. This collection of songs runs a nice gamut between boplicity and pleasant balladry. It represents bop at its best and is recommended for collectors and casual fans alike. [The 2000 Verve reissue includes alternate takes of "The Blues Walk," "Daahoud," and "Joy Spring."]