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The Great Gatsby (Music from Baz Luhrmann's Film) [Deluxe Edition]


Download links and information about The Great Gatsby (Music from Baz Luhrmann's Film) [Deluxe Edition]. This album was released in 2013 and it belongs to Theatre/Soundtrack genres. It contains 21 tracks with total duration of 01:12:33 minutes.

Release date: 2013
Genre: Theatre/Soundtrack
Tracks: 21
Duration: 01:12:33
Buy on iTunes $16.99


No. Title Length
1. 100$ Bill (Jay - Z) 3:20
2. Back to Black (Beyoncé / Beyonce, Andre 3000) 3:21
3. Young and Beautiful (Lana Del Rey) 3:56
4. Love Is Blindness (Jack White) 3:18
5. Crazy In Love (Kid Koala Version) (The Bryan Ferry Orchestra, Emeli Sandé / Emeli Sande) 3:08
6. Bang Bang (Will I Am) 4:39
7. "I Like Large Parties" (Elizabeth Debicki) 0:09
8. A Little Party Never Killed Nobody (All We Got) (Fergie, Q - Tip) 4:00
9. Love Is the Drug (Bryan Ferry, The Bryan Ferry Orchestra) 2:41
10. "Can't Repeat the Past?" (Leonardo DiCaprio, Tobey Maguire) 0:08
11. Hearts a Mess (Gotye) 6:04
12. Where the Wind Blows (Coco O.) 3:50
13. Green Light (Green Light) 0:07
14. No Church In the Wild (feat. Frank Ocean & The-Dream) (Jay - Z, Kanye West) 4:32
15. Over the Love (Florence The Machine) 4:21
16. Together (The Xx) 5:25
17. Into the Past (Nero) 5:17
18. Kill and Run (Sia) 3:35
19. Over the Love (Of You) (Florence, The Machine, Sbtrkt) 2:59
20. Young and Beautiful (DH Orchestral Version) (Lana Del Rey) 3:51
21. "Gatsby Believed In the Green Light" (Craig Armstrong, Tobey Maguire) 3:52



Although the gilded tragedy of Jay Gatsby epitomizes the pitfalls of Roaring ’20s hedonism, the soundtrack to Baz Luhrmann’s adaptation of F. Scott Fitzgerald’s novel is laden with synthesizers and samplers, not saxophones. By filling the album with new music by Beyoncé, Jack White,, and Jay-Z (who also serves as the executive producer), it makes a shrewd parallel between Jazz Era glitz and the indulgent bling of contemporary pop charts. The best track? It’s hard to choose, but the unchecked sleaze of Beyoncé and André 3000's cover of Amy Winehouse’s “Back to Black” has a sinister brilliance, while Sia's torchy, melancholy closer "Kill and Run" is downright chilling. With its striking contrasts and unexpected execution, this soundtrack rivals the programmatic genius of the one for Luhrmann’s 1996 film Romeo + Juliet.