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Smokin' Section


Download links and information about Smokin' Section by Tom Scott, The L. A. Express. This album was released in 1999 and it belongs to Jazz, Crossover Jazz, Smooth Jazz genres. It contains 11 tracks with total duration of 01:09:01 minutes.

Artist: Tom Scott, The L. A. Express
Release date: 1999
Genre: Jazz, Crossover Jazz, Smooth Jazz
Tracks: 11
Duration: 01:09:01
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No. Title Length
1. Smokin' Section 4:59
2. I'll Still Be Lovin' You (featuring Phil Perry) 4:48
3. Cruisin' Bayou 5:50
4. Lonely One 4:46
5. Ode to Billy Joe (featuring Patty Smyth) 6:07
6. If I Could Cry 5:35
7. A Short Visit 7:55
8. Just Takin' a Walk 5:55
9. Lost Again 6:33
10. The Beat Is On 6:10
11. TCB In "E" 10:23



On Smokin' Section, credited to Tom Scott & the L.A. Express, the veteran saxman can't resist mixing in a few cover tunes with the stylistically diverse array of original numbers. He doesn't add too much to the arrangement of the folk-rock classic "Ode To Billie Joe," but who can argue when it's sung by the sandpaper-and-honey voiced Patty Smyth? Scott also functions as soloist/harmony line player as Phil Perry does his soulful best with Restless Heart's "I'll Still Be Lovin' You." Scott and his cohorts are all over the map the rest of the time, capturing everything from the now retro '70s flavor of the original L.A. Express to Scott's early leanings towards quartet jazz to — as the title promises — flashy brass funk and mindtripping fusion. Scott's alto honks above the swaying, horn section hook of the title track, then slinks into the background for much of the swampy Delta blues cool of "Cruisin' Bayou," which blends Alan Pasqua's Fender Rhodes-flavored synth riffs, Buzz Feiten's wailing steel guitar, and a soundscape by Luis Conte and Alex Acuna. The somewhat jarring rhythmic switches take the listener from the smoky mood of "If I Could Cry" to the swaying funk of "The Beat Is On" (pushed along by bassist John Pena), but the real fun comes on "TCB in E," when Scott, Pasqua, Feiten, and drummer Harvey Mason rock on and trade blistering solos for ten minutes, making '70s Rhodes-based jazz fusion relevant to 1999.