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Paris Days, Berlin Nights


Download links and information about Paris Days, Berlin Nights by Ute Lemper, Vogler String Quartet. This album was released in 2012 and it belongs to genres. It contains 13 tracks with total duration of 01:13:07 minutes.

Artist: Ute Lemper, Vogler String Quartet
Release date: 2012
Tracks: 13
Duration: 01:13:07
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No. Title Length
1. Elle frequentait la rue Pigalle (Arr. S. Malzew) 4:59
2. L'Accordeoniste (Arr. S. Malzew) 6:11
3. Happy End: Surabaya Johnny - Die Dreigroschenoper: Die Moritat von Mackie Messer (featuring Stefan Malzew) 9:54
4. Der Graben (Arr. S. Malzew) (featuring Stefan Malzew) 5:03
5. Uber den Selbstmord (featuring Stefan Malzew) 3:02
6. Die Ballade vom Wasserrad (featuring Stefan Malzew) 4:30
7. La ultima grela (Arr. S. Malzew) (featuring Stefan Malzew) 7:12
8. Oblivion (Arr. S. Malzew) (featuring Stefan Malzew) 4:41
9. Maria de Buenos Aires: Yo Soy Maria (Arr. S. Malzew) (featuring Stefan Malzew) 3:23
10. Tyomnaja Notch (Arr. S. Malzew) (featuring Stefan Malzew) 5:59
11. Ikh shtey unter a bokserboym (Arr. S. Malzew) (featuring Stefan Malzew) 6:40
12. Stiller abend (Arr. S. Malzew) (featuring Stefan Malzew) 6:05
13. Ne me quitte pas (Arr. S. Malzew) (featuring Stefan Malzew) 5:28



The title Paris Days, Berlin Nights is a little misleading. One might expect French songs about morning-after regrets and German ones about living cynically hedonistically, but this collection goes way beyond that. It includes songs about war, abandonment, the indifference of time to human suffering, and gritty street life, with music by Piazzolla and Polish-Jewish composer Chava Alberstein in addition to the expected Kurt Weill, Hanns Eisler, and Jacques Brel. Uniting them all is Lemper's incredible voice and sense of drama, no matter what language. The energy she puts into songs such as Der Graben or Ballade vom Wasserrad is so great, it's hard to believe that no physical harm is done, but she comes right back every time, putting just as much into the next one. She is well supported by the Vogler Quartet and accordionist/clarinetist/pianist Stefan Malzew, all of whom come close to matching Lemper's intensity when needed. Malzew made all the arrangements, and they are very well done. They not only provide interesting, textural accompaniment to the voice, the gestures also support the character and theme of the texts. Malzew even sneaks in little details, such as quoting La Marseillaise in L'Accordéoniste or a sustained, high-pitched note (like what is heard when a grenade falls) in Der Graben. Although the album's title might not fit the contents, Lemper and colleagues do make these culturally diverse songs go together. The concentration of their passion keeps the set as a whole from becoming desperately bleak and gives the music a fascinating presence.